2017, Triptych, archival pigment prints, 107 x 80 cm each
With the methods of notation Kina explores the structures and forms of sound while transforming cinema to the language of music and composition. Notations have been instructed by the composer Lauri Supponen.
Detail of Score of the Arr. For a Scene, 2017
Installation view, Sounds and Objects, 2019, curated by Manuela Pacella, Fondazione Pastificio Cerere, Rome, Italy (photo by: Andrea Veneri)
Copyright © Jonna Kina. All rights reserved.